Posted by westobb on July 10, 2009
Edited by Cole Swenson and David St. John, Norton’s new anthology of Contemporary Poetry, American Hybrid, suggests that today’s American poet combines previously opposed poetic styles. The idea of a hybrid poetic is based on a history of late twentieth century American poetry that emphasizes conflict based on poets’ stylistic commitments. But how accurate is this history? Is it productive to imagine that poetry in our era has transcended conflict to create a new, more open and inclusive poetic atmosphere? “The Idea of a Hybrid Poetic” looks closely at Cole Swenson’s introduction to the collection, and features a reading of Reginald Shepherd’s “Direction of Fall.”
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Posted by westobb on July 9, 2009
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Posted by westobb on June 24, 2009
The new anthology American Hybrid, edited by Cole Swenson and David St. John, raises interesting questions about contemporary poetics, poets’ influences, and the politics associated with stylistic commitments. Look for a new episode, “The Idea of a Hybrid Poetic,” in early July.
And, with “Hard to Say” at it’s new home on wordpress, it’s easy to get in touch with the show. Want to make a comment on a previous episode? Want to send an idea for a future episode? You can log in and post a comment on the blog, or email William Stobb at hardtosayonmiporadio@yahoo.com.
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Posted by didimenendez on June 4, 2009
In 1958, Langston Huges got in a studio with Leonard Feather and Charles Mingus to record a jazz version of The Weary Blues. Half a century later, the Beat poet laureate of La Crosse, Wisconsin sits down with me to talk about the cd, living the blues, and blues poetry. We’ll hear excerpts from the cd, including Hughes’s “Morning After” and “Bad Man” and we’ll hear Tom Tucker’s poems “Sunday” and “Jackson Pollock.”
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